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AKAPA TOSAN.

PROFESSIONAL ARTIST

There is still a lot of debate among artists about using the word “professional” to describe themselves. For artists who consider themselves “pure artists,” that word often implies commercialism and “selling out.” That’s not how I see it. I think that there is room for a range of ways to be an artist and that they are all legitimate. When I feature artists in ArtMatters! and when I talk to dealers, agents, and retail art dealers, I ask them to define what makes an artist professional. They each contribute a different perspective.

Not one of them denies the right of artists to consider themselves professional and to define that term as it suits them. Every aspiring artist I know would love to achieve all of these things: unlimited financial success, national (or international) recognition and an unshakeable belief in the quality of their work. Moving from amateur to emerging artist and through mid-career and maybe to being an established artist, requires many small breaks. You need to work hard and smart.

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PAINTING

We’re surrounded by stories of extraordinarily successful, high-achieving “professionals” in many fields other than art, and what made them that way. Identifying the attitudes, actions, personal characteristics and emotional maturity of professional artists is not as easy.

SCULPTURE

Public knowledge (and media portrayal) of the sometimes crazed, sometimes tortured, antics of artists like Van Gogh, and Jackson Pollock have led us to expect irrationality, irritability and erratic (if not downright crazy) behavior from artists. Though often glamorized in film, few of us, in reality, would choose to live out our lives like this.

ARCHITECTURE

There is no profession where you can leap from the bottom to the top and stay there. Many of you have already been there and done that, so you already know how this works. You “learn the ropes” in an entry-level job, pay your dues for a time and then move up the ranks.

APPLIED ART

Not all artists progress through all three stages — and not all artists want to. It’s up to you to decide how far you want to go, and whether your skills and life circumstances will support that decision.

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OBAFEMI AWOLOWO UNIVERSITY,
ILE-IFE

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